Fringe Programme

The Fringe programme took place on the afternoons of Saturday, Sunday, and Monday. The productions presented as part of The Fringe, were not, part of the competition.

In case you want to refresh your memory of which shows you saw and when they were on, here’s the list:

 

Saturday, 7 June

11:30-12:30
Meet ‘n Greet
Gather in the Café to chat with other FEATS-goers

12:40-13:20
Circe Theatre e.V. (Bonn)
Café Trauma by Sepideh Tafazzoli

13:25-13:55
ESOC Theatre Group (Darmstadt)

Degas, C'est Moi! by David Ives

14:00-14:50
Entity Theatre e.V. (Munich)
The Pillowman by Martin McDonagh

15:00-15:20
Cross-Gartered Players (Brussels)
Yellow by Geoffrey Mamdani

15:30
Workshop with Janice Dunn, LEATSS (Luxembourg)
Acting On Impulse: techniques for effective use of impulse in performance and character development


Sunday, 8 June

12:00-12:30
Theater de WAANzin (Ghent)
Peeping Dom, a reimagining of Moiière’s Dom Juan

Meet at the parking lot on the west side of the Altonaer Rathaus!  

12:35-12:50
NEAT - New English American Theater (Stuttgart)
Spain by Bob Lind

12:55-13:25
WILDe Theatre (Rotterdam)
Check, Please! by Jonathan Rand

13:30-13:40
The Madrid Players (Madrid)
Before It’s Too Late, a monologue

13:55-14:40
Juozo Vaičkaus Skrajojantis Theatre (Mažeikiai/Lithuania)
An Interactive Bouffon Workshop

14:45-15:20
Lycée EIB Etoile (Paris)
Scenes from Love and Information by Caryl Churchill

15:30
University Players (Hamburg)

As You Want It – The improvised movie night


Monday, 9 June

11:30-12:30
FEATS Forum

12:40-12:55
Noordhaus International Theater Company (Groningen)
Jonah by Marin Sorescu

13:05-13:35
ETCetera (Brusse
ls)
Blind Date by Peter Quilter

13:45-14:20
BELT Belgrade English Language Theatre (Belgrade)
Bouncers by John Godber

14:30-14:45
FEST Frankfurt English Speaking Theatre (Frankfurt)
People Will Talk by Scott Mullen

14:50-14:55
The Hamburg Players (Hamburg)
Title by Greg Allen

15:00-15:20
Hugh Dow (Brussels)

Travels with a Donkey and I'm the donkey!

15:30
Workshop with John Brigg, New World Theatre Company (Luxembourg)
Who’s Afraid of the Big Bad Verse? Approaching verse in classical drama