| No. | | Title | | Year | | Author | | Directed by |
| 1 | | SEPARATE TABLES | | 1965 | | Terence Rattigan | | Jack Sinclar & Peter N. Bigglestone |
| 2 | | THE RELUCTANT DEBUTANTE | | 1966 | | William Douglas Home | | Charles Anderson |
| 3 | | LORD ARTHUR SAVILE´S CRIME | | 1966 | | Oscar Wilde / Constance Cox | | Peter N. Bigglestone |
| 4 | | SUMMER OF THE SEVENTEENTH DOLL | | 1967 | | Ray Lawler | | Peter N. Bigglestone |
| 5 | | PRESENT LAUGHTER | | 1967 | | Noël Coward | | Peter N. Bigglestone |
| 6 | | THE HEIRESS | | 1968 | | Ruth & Augustus Goetz | | Peter Broberg |
7
| | ROOKERY NOOK | | 1968 | | Ben Travers | | Peter N. Bigglestone |
| 8 | | BLACK CHIFFON | | 1969 | | Lesley Strom | | Peter Broberg / Deb Roy |
| 9 | | ON MONDAY NEXT | | 1969 | | Philip King | | Peter N. Bigglestone |
| 10 | | SHE STOOPS TO CONQUER | | 1969 | | Oliver Goldsmith | | Eva Sheppard |
| 11 | | HAY FEVER | | 1970 | | Noël Coward | | Peter N. Bigglestone |
| 12 | | WATERS OF THE MOON | | 1970 | | N.C. Hunter | | Peter N. Bigglestone |
| 13 | | ARMS AND THE MAN | | 1971 | | George Bernard Shaw | | Eva Sheppard |
| 14 | | THE BRIDGE OF SIGHS | | 1971 | | Thomas Muschamp | | Inez Waloschek |
| 15 | | THE DRUNKARD | | 1972 | | Brian J. Burton | | Peter N. Bigglestone |
| 16 | | BUSYBODY | | 1972 | | Jack Popplewell | | Deb Roy |
| 17 | | THE IMPORTANCE OF BEING EARNEST | | 1973 | | Oscar Wilde | | Peter N. Bigglestone |
| 18 | | SERIOUS CHARGE | | 1973 | | Philip King | | Inez Waloschek |
| 19 | | NOT NOW DARLING | | 1973 | | Ray Cooney & John Capman | | Peter N. Bigglestone |
| 20 | | THE CHALK GARDEN | | 1974 | | Enid Bagnold | | Peter N. Bigglestone |
| 21 | | BILLY LIAR | | 1974 | | Keith Waterhouse & Willis Hall | | Inez Waloschek |
| 22 | | BLITHE SPIRIT | | 1974 | | Noël Coward | | Peter N. Bigglestone |
| 23 | | ALFIE | | 1975 | | Bill Naughton | | Inez Waloschek |
| 24 | | MOVE OVER MRS. MARKHAM | | 1975 | | Ray Cooney & John Chapman | | Roger Robertson |
| 25 | | RING ROUND THE MOON | | 1975 | | Jean Anouilh | | Inez Waloschek & Peter N. Bigglestone |
| 26 | | HARVEY | | 1976 | | Mary Chase | | Elizabeth Fleming |
| 27 | | SUDDENLY AT HOME | | 1976 | | Francis Durbridge | | Peter Wintgens |
| 28 | | WHEN WE ARE MARRIED | | 1976 | | J. B. Priestley | | Elizabeth Fleming |
| 29 | | ARSENIC AND OLD LACE | | 1977 | | Joseph Kesselring | | Peter N. Bigglestone |
| 30 | | ABSURD PERSON SINGULAR | | 1977 | | Alan Ayckbourn | | Peter Wintgens |
| 31 | | THE RELUCTANT DEBUTANTE | | 1977 | | William Douglas Home | | Elizabeth Fleming |
| 32 | | THE UNEXPECTED GUEST | | 1978 | | Agatha Christie | | Peter N. Bigglestone |
| 33 | | THE CHILTERN HUNDREDS | | 1978 | | William Douglas Home | | Peter Wintgens |
| 34 | | BAREFOOT IN THE PARK | | 1978 | | Neil Simon | | Peter N. Bigglestone |
| 35 | | THE ANNIVERSARY | | 1979 | | Bill Macilwraith | | Peter N. Bigglestone |
| 36 | | HALFWAY UP THE TREE | | 1979 | | Peter Ustinov | | Peter N. Bigglestone |
| 37 | | CATHERINE HOWARD | | 1979 | | Beverley Cross | | Peter N. Bigglestone |
| 38 | | THE CONSTANT WIFE | | 1980 | | Somerset Maugham | | Peter Wintgens |
| 39 | | BIG BAD MOUSE | | 1980 | | Falkland Cary | | Elizabeth Fleming |
| 40 | | SEMI-DETACHED | | 1980 | | David Turner | | Peter N. Bigglestone |
| 41 | | THE DEEP BLUE SEA | | 1981 | | Terence Rattigan | | Peter N. Bigglestone |
| 42 | | ENTER A FREE MAN | | 1981 | | Tom Stoppard | | Peter Wintgens |
| 43 | | NUDE WITH VIOLIN | | 1981 | | Noël Coward | | Peter N. Bigglestone |
| 44 | | MURDER ON THE NILE | | 1982 | | Agatha Christie | | Elizabeth Fleming |
| 45 | | THE DETERRENT | | 1982 | | Charles Mander | | Marion McAlpine & S.Branson |
| | | BLACK COMEDY | | 1982 | | Peter Shaffer | | Marion McAlpine & S.Branson |
| 46 | | PLAZA SUITE | | 1982 | | Neil Simon | | Elizabeth Fleming |
| 47 | | ALL MY SONS | | 1982 | | Arthur Miller | | Peter N. Bigglestone |
| 48 | | PLAY IT AGAIN, SAM | | 1983 | | Woody Allen | | Peter Wintgens |
| 49 | | JOKING APART | | 1983 | | Alan Ayckbourn | | Elizabeth Fleming |
| 50 | | A GHOST ON TIPTOE | | 1984 | | R. Morley & Rosemary A. Sisson | | Slim Cowell |
| 51 | | A MURDER IS ANNOUNCED | | 1984 | | Agatha Christie | | Peter N. Bigglestone |
| 52 | | PLAYBILL (The Browning Version/Harlequinade) | | 1984 | | Terence Rattigan | | Elizabeth Fleming |
| 53 | | DOCTOR IN THE HOUSE | | 1984 | | Ted Willis | | Elizabeth Fleming |
| 54 | | CALIFORNIA SUITE | | 1985 | | Neil Simon | | Marijke Schwarz & Chris Turner |
| 55 | | LADY WINDERMERE'S FAN | | 1985 | | Oscar Wilde | | Peter N. Bigglestone |
| 56 | | CONFUSIONS | | 1986 | | Alan Ayckbourn | | Elizabeth Fleming |
| 57 | | QUEEN ELIZABETH SLEPT HERE | | 1986 | | Talbot Rothwell | | Christine Turner |
| 58 | | THE NIGHT OF THE IGUANA | | 1986 | | Tennessee Williams | | Peter N. Bigglestone |
| 59 | | PLAY ON | | 1987 | | Rick Abbot | | Slim Cowell |
| 60 | | HONESTLY, NOW ! | | 1987 | | Jack Sharkey | | Steve Delaney |
| 61 | | EAST LYNNE | | 1987 | | Mrs. Henry Wood | | Peter N. Bigglestone |
| 62 | | WOMAN IN A DRESSING-GOWN | | 1988 | | Ted Willis | | Slim Cowell |
| 63 | | HOUSE GUEST | | 1988 | | Francis Durbridge | | Christine Turner |
| 64 | | SEASON'S GREETINGS | | 1988 | | Alan Ayckbourn | | Peter N. Bigglestone |
| 65 | | LADIES IN RETIREMENT | | 1989 | | Edward Percy & Reginald Denham | | Slim Cowell |
| 66 | | I AM A CAMERA | | 1989 | | John van Druten | | Peter N. Bigglestone |
| 67 | | BEDROOM FARCE | | 1989 | | Alan Ayckbourn | | Elizabeth Fleming |
| 68 | | THE KILLING OF SISTER GEORGE | | 1990 | | Frank Marcus | | Peter N. Bigglestone |
| 69 | | PACK OF LIES | | 1990 | | Hugh Whitemore | | Inez Waloschek |
| 70 | | PYGMALION | | 1990 | | George Bernard Shaw | | Peter N. Bigglestone |
| 71 | | FISH OUT OF WATER | | 1991 | | Derek Benfield | | Inez Waloschek |
| 72 | | ROUND AND ROUND THE GARDEN | | 1991 | | Alan Ayckbourn | | David M. Griffiths |
| 73 | | 84 CHARING CROSS ROAD | | 1991 | | Helene Hanff/J. Roose-Evans | | Brian Keener |
| 74 | | PRESENT LAUGHTER | | 1992 | | Noël Coward | | Peter N. Bigglestone |
| 75 | | THE ODD COUPLE | | 1992 | | Neil Simon | | Alistair White |
| 76 | | MURDER ON THE RE-RUN | | 1992 | | Fred Carmichael | | Alexander Black |
| 77 | | VISITING HOUR | | 1993 | | Richard Harris | | Elizabeth Fleming |
| 78 | | THE DAY THEY KIDNAPPED THE POPE | | 1993 | | João Bethencourt | | Lexi von Hoffmann |
| 79 | | TIME TO KILL | | 1993 | | Leslie Darbon | | Jacqui Caesar & Graham C. Williams |
| 80 | | OUTSIDE EDGE | | 1994 | | Richard Harris | | Elizabeth Fleming |
| 81 | | RUN FOR YOUR WIFE | | 1994 | | Ray Cooney | | Peter N. Bigglestone |
| 82 | | MARVIN'S ROOM | | 1994 | | Scott McPherson | | Rebecca Garron & Morton Swimmer |
83
| | MURDER AT THE VICARAGE | | 1995 | | Agatha Christie | | Peter N. Bigglestone |
84
| | YOU CAN'T TAKE IT WITH YOU | | | | Moss Hart & George S. Kaufman | | Mike Coles |
85
| | STILL LIFE & HANDS ACROSS THE SEA | | 1995 | | Noël Coward | | Peter N. Bigglestone |
86
| | I'LL BE BACK BEFORE MIDNIGHT | | 1996 | | Peter Colley | | Graham C. Williams |
87
| | TRANSLATIONS | | 1996 | | Brian Friel | | Rebecca Garron |
| 88 | | KEEPING DOWN WITH THE JONESES | | 1996 | | John Chapman & Jeremy Lloyd | | Mike Coles |
| 89 | | CHARLEY'S AUNT | | 1997 | | Brandon Thomas | | Peter N. Bigglestone |
| 90 | | ONE O'CLOCK FROM THE HOUSE | | 1997 | | Frank Vickery | | Jason Couch |
| 91 | | SEPTEMBER TIDE | | 1997 | | Daphne Du Maurier | | Peter N. Bigglestone |
| 92 | | LET'S PRETEND | | 1998 | | Vanessa Brooks | | Mike Coles |
| 93 | | DRACULA | | 1998 | | Bram Stoker / Thornton & Godber | | Graham C. Williams |
| 94 | | BAREFOOT IN THE PARK | | 1998 | | Neil Simon | | Jason Couch |
| 95 | | TOWARDS ZERO | | 1999 | | Agatha Christie | | Elaine Lloyd Barnett |
| 96 | | NO SEX PLEASE WE'RE BRITISH | | 1999 | | Anthony Marriott & Alistair Foot | | Graham C. Williams |
| 97 | | THE IMPORTANCE OF BEING EARNEST | | 1999 | | Oscar Wilde | | Peter N. Bigglestone |
