| No. |
|
Title |
|
Year |
|
Author |
|
Directed by |
| 1 |
|
SEPARATE TABLES |
|
1965 |
|
Terence Rattigan |
|
Jack Sinclar & Peter N. Bigglestone |
| 2 |
|
THE RELUCTANT DEBUTANTE |
|
1966 |
|
William Douglas Home |
|
Charles Anderson |
| 3 |
|
LORD ARTHUR SAVILE´S CRIME |
|
1966 |
|
Oscar Wilde / Constance Cox |
|
Peter N. Bigglestone |
| 4 |
|
SUMMER OF THE SEVENTEENTH DOLL |
|
1967 |
|
Ray Lawler |
|
Peter N. Bigglestone |
| 5 |
|
PRESENT LAUGHTER |
|
1967 |
|
Noël Coward |
|
Peter N. Bigglestone |
| 6 |
|
THE HEIRESS |
|
1968 |
|
Ruth & Augustus Goetz |
|
Peter Broberg |
7
|
|
ROOKERY NOOK |
|
1968 |
|
Ben Travers |
|
Peter N. Bigglestone |
| 8 |
|
BLACK CHIFFON |
|
1969 |
|
Lesley Strom |
|
Peter Broberg / Deb Roy |
| 9 |
|
ON MONDAY NEXT |
|
1969 |
|
Philip King |
|
Peter N. Bigglestone |
| 10 |
|
SHE STOOPS TO CONQUER |
|
1969 |
|
Oliver Goldsmith |
|
Eva Sheppard |
| 11 |
|
HAY FEVER |
|
1970 |
|
Noël Coward |
|
Peter N. Bigglestone |
| 12 |
|
WATERS OF THE MOON |
|
1970 |
|
N.C. Hunter |
|
Peter N. Bigglestone |
| 13 |
|
ARMS AND THE MAN |
|
1971 |
|
George Bernard Shaw |
|
Eva Sheppard |
| 14 |
|
THE BRIDGE OF SIGHS |
|
1971 |
|
Thomas Muschamp |
|
Inez Waloschek |
| 15 |
|
THE DRUNKARD |
|
1972 |
|
Brian J. Burton |
|
Peter N. Bigglestone |
| 16 |
|
BUSYBODY |
|
1972 |
|
Jack Popplewell |
|
Deb Roy |
| 17 |
|
THE IMPORTANCE OF BEING EARNEST |
|
1973 |
|
Oscar Wilde |
|
Peter N. Bigglestone |
| 18 |
|
SERIOUS CHARGE |
|
1973 |
|
Philip King |
|
Inez Waloschek |
| 19 |
|
NOT NOW DARLING |
|
1973 |
|
Ray Cooney & John Capman |
|
Peter N. Bigglestone |
| 20 |
|
THE CHALK GARDEN |
|
1974 |
|
Enid Bagnold |
|
Peter N. Bigglestone |
| 21 |
|
BILLY LIAR |
|
1974 |
|
Keith Waterhouse & Willis Hall |
|
Inez Waloschek |
| 22 |
|
BLITHE SPIRIT |
|
1974 |
|
Noël Coward |
|
Peter N. Bigglestone |
| 23 |
|
ALFIE |
|
1975 |
|
Bill Naughton |
|
Inez Waloschek |
| 24 |
|
MOVE OVER MRS. MARKHAM |
|
1975 |
|
Ray Cooney & John Chapman |
|
Roger Robertson |
| 25 |
|
RING ROUND THE MOON |
|
1975 |
|
Jean Anouilh |
|
Inez Waloschek & Peter N. Bigglestone |
| 26 |
|
HARVEY |
|
1976 |
|
Mary Chase |
|
Elizabeth Fleming |
| 27 |
|
SUDDENLY AT HOME |
|
1976 |
|
Francis Durbridge |
|
Peter Wintgens |
| 28 |
|
WHEN WE ARE MARRIED |
|
1976 |
|
J. B. Priestley |
|
Elizabeth Fleming |
| 29 |
|
ARSENIC AND OLD LACE |
|
1977 |
|
Joseph Kesselring |
|
Peter N. Bigglestone |
| 30 |
|
ABSURD PERSON SINGULAR |
|
1977 |
|
Alan Ayckbourn |
|
Peter Wintgens |
| 31 |
|
THE RELUCTANT DEBUTANTE |
|
1977 |
|
William Douglas Home |
|
Elizabeth Fleming |
| 32 |
|
THE UNEXPECTED GUEST |
|
1978 |
|
Agatha Christie |
|
Peter N. Bigglestone |
| 33 |
|
THE CHILTERN HUNDREDS |
|
1978 |
|
William Douglas Home |
|
Peter Wintgens |
| 34 |
|
BAREFOOT IN THE PARK |
|
1978 |
|
Neil Simon |
|
Peter N. Bigglestone |
| 35 |
|
THE ANNIVERSARY |
|
1979 |
|
Bill Macilwraith |
|
Peter N. Bigglestone |
| 36 |
|
HALFWAY UP THE TREE |
|
1979 |
|
Peter Ustinov |
|
Peter N. Bigglestone |
| 37 |
|
CATHERINE HOWARD |
|
1979 |
|
Beverley Cross |
|
Peter N. Bigglestone |
| 38 |
|
THE CONSTANT WIFE |
|
1980 |
|
Somerset Maugham |
|
Peter Wintgens |
| 39 |
|
BIG BAD MOUSE |
|
1980 |
|
Falkland Cary |
|
Elizabeth Fleming |
| 40 |
|
SEMI-DETACHED |
|
1980 |
|
David Turner |
|
Peter N. Bigglestone |
| 41 |
|
THE DEEP BLUE SEA |
|
1981 |
|
Terence Rattigan |
|
Peter N. Bigglestone |
| 42 |
|
ENTER A FREE MAN |
|
1981 |
|
Tom Stoppard |
|
Peter Wintgens |
| 43 |
|
NUDE WITH VIOLIN |
|
1981 |
|
Noël Coward |
|
Peter N. Bigglestone |
| 44 |
|
MURDER ON THE NILE |
|
1982 |
|
Agatha Christie |
|
Elizabeth Fleming |
| 45 |
|
THE DETERRENT |
|
1982 |
|
Charles Mander |
|
Marion McAlpine & S.Branson |
| |
|
BLACK COMEDY |
|
1982 |
|
Peter Shaffer |
|
Marion McAlpine & S.Branson |
| 46 |
|
PLAZA SUITE |
|
1982 |
|
Neil Simon |
|
Elizabeth Fleming |
| 47 |
|
ALL MY SONS |
|
1983 |
|
Arthur Miller |
|
Peter N. Bigglestone |
| 48 |
|
PLAY IT AGAIN, SAM |
|
1983 |
|
Woody Allen |
|
Peter Wintgens |
| 49 |
|
JOKING APART |
|
1983 |
|
Alan Ayckbourn |
|
Elizabeth Fleming |
| 50 |
|
A GHOST ON TIPTOE |
|
1984 |
|
R. Morley & Rosemary A. Sisson |
|
Slim Cowell |
| 51 |
|
A MURDER IS ANNOUNCED |
|
1984 |
|
Agatha Christie |
|
Peter N. Bigglestone |
| 52 |
|
PLAYBILL (The Browning Version/Harlequinade) |
|
1984 |
|
Terence Rattigan |
|
Elizabeth Fleming |
| 53 |
|
DOCTOR IN THE HOUSE |
|
1985 |
|
Ted Willis |
|
Elizabeth Fleming |
| 54 |
|
CALIFORNIA SUITE |
|
1985 |
|
Neil Simon |
|
Marijke Schwarz & Chris Turner |
| 55 |
|
LADY WINDERMERE'S FAN |
|
1985 |
|
Oscar Wilde |
|
Peter N. Bigglestone |
| 56 |
|
CONFUSIONS |
|
1986 |
|
Alan Ayckbourn |
|
Elizabeth Fleming |
| 57 |
|
QUEEN ELIZABETH SLEPT HERE |
|
1986 |
|
Talbot Rothwell |
|
Christine Turner |
| 58 |
|
THE NIGHT OF THE IGUANA |
|
1986 |
|
Tennessee Williams |
|
Peter N. Bigglestone |
| 59 |
|
PLAY ON |
|
1987 |
|
Rick Abbot |
|
Slim Cowell |
| 60 |
|
HONESTLY, NOW ! |
|
1987 |
|
Jack Sharkey |
|
Steve Delaney |
| 61 |
|
EAST LYNNE |
|
1987 |
|
Mrs. Henry Wood |
|
Peter N. Bigglestone |
| 62 |
|
WOMAN IN A DRESSING-GOWN |
|
1988 |
|
Ted Willis |
|
Slim Cowell |
| 63 |
|
HOUSE GUEST |
|
1988 |
|
Francis Durbridge |
|
Christine Turner |
| 64 |
|
SEASON'S GREETINGS |
|
1988 |
|
Alan Ayckbourn |
|
Peter N. Bigglestone |
| 65 |
|
LADIES IN RETIREMENT |
|
1989 |
|
Edward Percy & Reginald Denham |
|
Slim Cowell |
| 66 |
|
I AM A CAMERA |
|
1989 |
|
John van Druten |
|
Peter N. Bigglestone |
| 67 |
|
BEDROOM FARCE |
|
1989 |
|
Alan Ayckbourn |
|
Elizabeth Fleming |
| 68 |
|
THE KILLING OF SISTER GEORGE |
|
1990 |
|
Frank Marcus |
|
Peter N. Bigglestone |
| 69 |
|
PACK OF LIES |
|
1990 |
|
Hugh Whitemore |
|
Inez Waloschek |
| 70 |
|
PYGMALION |
|
1990 |
|
George Bernard Shaw |
|
Peter N. Bigglestone |
| 71 |
|
FISH OUT OF WATER |
|
1991 |
|
Derek Benfield |
|
Inez Waloschek |
| 72 |
|
ROUND AND ROUND THE GARDEN |
|
1991 |
|
Alan Ayckbourn |
|
David M. Griffiths |
| 73 |
|
84 CHARING CROSS ROAD |
|
1991 |
|
Helene Hanff/J. Roose-Evans |
|
Brian Keener |
| 74 |
|
PRESENT LAUGHTER |
|
1992 |
|
Noël Coward |
|
Peter N. Bigglestone |
| 75 |
|
THE ODD COUPLE |
|
1992 |
|
Neil Simon |
|
Alistair White |
| 76 |
|
MURDER ON THE RE-RUN |
|
1992 |
|
Fred Carmichael |
|
Alexander Black |
| 77 |
|
VISITING HOUR |
|
1993 |
|
Richard Harris |
|
Elizabeth Fleming |
| 78 |
|
THE DAY THEY KIDNAPPED THE POPE |
|
1993 |
|
João Bethencourt |
|
Lexi von Hoffmann |
| 79 |
|
TIME TO KILL |
|
1993 |
|
Leslie Darbon |
|
Jacqui Caesar & Graham C. Williams |
| 80 |
|
OUTSIDE EDGE |
|
1994 |
|
Richard Harris |
|
Elizabeth Fleming |
| 81 |
|
RUN FOR YOUR WIFE |
|
1994 |
|
Ray Cooney |
|
Peter N. Bigglestone |
| 82 |
|
MARVIN'S ROOM |
|
1994 |
|
Scott McPherson |
|
Rebecca Garron & Morton Swimmer |
83
|
|
MURDER AT THE VICARAGE |
|
1995 |
|
Agatha Christie |
|
Peter N. Bigglestone |
84
|
|
YOU CAN'T TAKE IT WITH YOU |
|
|
|
Moss Hart & George S. Kaufman |
|
Mike Coles |
85
|
|
STILL LIFE & HANDS ACROSS THE SEA |
|
1995 |
|
Noël Coward |
|
Peter N. Bigglestone |
86
|
|
I'LL BE BACK BEFORE MIDNIGHT |
|
1996 |
|
Peter Colley |
|
Graham C. Williams |
87
|
|
TRANSLATIONS |
|
1996 |
|
Brian Friel |
|
Rebecca Garron |
| 88 |
|
KEEPING DOWN WITH THE JONESES |
|
1996 |
|
John Chapman & Jeremy Lloyd |
|
Mike Coles |
| 89 |
|
CHARLEY'S AUNT |
|
1997 |
|
Brandon Thomas |
|
Peter N. Bigglestone |
| 90 |
|
ONE O'CLOCK FROM THE HOUSE |
|
1997 |
|
Frank Vickery |
|
Jason Couch |
| 91 |
|
SEPTEMBER TIDE |
|
1997 |
|
Daphne Du Maurier |
|
Peter N. Bigglestone |
| 92 |
|
LET'S PRETEND |
|
1998 |
|
Vanessa Brooks |
|
Mike Coles |
| 93 |
|
DRACULA |
|
1998 |
|
Bram Stoker / Thornton & Godber |
|
Graham C. Williams |
| 94 |
|
BAREFOOT IN THE PARK |
|
1998 |
|
Neil Simon |
|
Jason Couch |
| 95 |
|
TOWARDS ZERO |
|
1999 |
|
Agatha Christie |
|
Elaine Lloyd Barnett |
| 96 |
|
NO SEX PLEASE WE'RE BRITISH |
|
1999 |
|
Anthony Marriott & Alistair Foot |
|
Graham C. Williams |
| 97 |
|
THE IMPORTANCE OF BEING EARNEST |
|
1999 |
|
Oscar Wilde |
|
Peter N. Bigglestone |
Our Plays 
